'Mickey 17': Hollywood Tames Bong Joon Ho in His Return
PREMIERE
The idea of disposable clones is one of the most intriguing concepts in recent cinema. It raises questions about the value of life in a world where technology and dehumanization go hand in hand. Bong Joon Ho could have taken this premise in a more philosophical direction, but he chooses to frame it as a satirical comedy reminiscent of Don’t Look Up (Adam McKay, 2021). This choice can work against the film: while the humor is occasionally effective, it sometimes feels forced and predictable. It doesn’t help that audiences have been overexposed to this kind of comedy, especially due to Marvel’s signature quippy style, which has saturated the market.
One of the film’s biggest strengths is Robert Pattinson’s performance, as he portrays two versions of Mickey in conflict with each other. It’s a dual acting challenge that Pattinson tackles with confidence, differentiating his two characters through well-crafted nuances. His body language and subtle voice changes make each Mickey feel like a distinct entity.
Bong Joon Ho’s move to Hollywood was inevitable after the success of Parasite. His visual and narrative talent is still present in Mickey 17, but there is a slight loss of identity. The film retains glimpses of his signature style, with a meticulously crafted mise-en-scène and strong direction of actors, yet it also feels somewhat homogenized within the big studio system. This is a slightly tamed Bong Joon Ho, likely influenced by the demands of expanding into a global market.
Mickey 17 is an intriguing film that invites reflection on identity and the value of life—albeit with a cynical smile.
Rating: 3.5/5
Mickey 17 is now playing in theaters worldwide.
@lovacaine
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